This is my first shot, it is a combination of a long shot and an establishing shot, as the shot takes you through the setting that the video is set in. I filmed this shot by having a friend hold a camera whilst I drove the car down the road.
This is my second shot, this is a shot that is lit up by car headlights, the same car that was used to make the first shot. This is a mid shot because it doesn't show the whole of the actors body.
This shot is the third shot, as all my shots are in chronological order. Again this is a mid shot as the whole of the actor does not feature but it is not close enough to be classified as a close up. This shot features the car yet again.
The next shot is a mid shot, this was taken in an alleyway where there are multiple pieces of graffiti. I thought graffiti suited the genre as it has featured in videos such as Graffiti Mentality by Emotionz.
The next shot is another mid shot which also features the car, which is a staple prop in this video. The original video for Drakes Worst Behaviour features cars, not only this but the majority of his videos do, including: Started from the bottom, The Motto and On One, which he features in.
This shot is a close up of the actors feet, which I felt was needed because not only had I not shown the bottom half of the actor but his costume, focusing on the nike shoes in particular as drake has mentioned nike in songs such as 10 bands on his latest mixtape.
The next shot is a low angle shot to re-iterate the actors dominance over the audience. This is common place in my genre and is again used in Drake video The Motto.
The next shot features my actor lip syncing in yet another mid shot, I filmed this as a back up in case I ran out of footage, as it wasn't my most meaningful shot, but I think it does the job.
This is quite a short shot as it is jump cut in time with the song. I think this shot is good as it hides the actors identity and features the car. This is the first long shot including my actor.
Again a long shot involving the car, this time driving into a residential area and jump cut to fit the song.
The next shot is unique and I've not really seen this used in the genre, but I felt it suited the video. This shot is called the Cowboy Shot.
This shot is another over the shoulder shot this time showing more of the car. Similar shots are used in Drake's - The Motto.
The next shot is a mid shot just showing the actor nodding, no lip syncing in this case just to the audience can get a better look at the actor.
The following shot is a pan from the road to the actor leaning on his car lit up by his own phone torch. This is the first pan in the video and has an example of the text overlay on certain parts on the song.
The next shot is similar to a previous shot nearer the start if the video but the actor is off centre, to make the viewer curious as to what might happen next to him. It also follows the rule of thirds.
A zoomed in close up follows this shot and features the actors watch as it is the only thing that we featured in the video which could be perceived as bling, because the message off the song doesn't really require that.
The following shot is a close up on the car light turning on and is vaguely based on the rule of thirds.
This is the first close up of the actor when he is lip syncing, which I felt was needed because I hadn't yet had one.
The next shot cuts to a shot of the car headlights. I've edited this to comply with the rule of thirds because the actor is in the middle of the lights.
This long shot is purposely out of focus to capture the street lights as though it's being looked at through an eye that's watering.
This long to medium shot features an extended version of one jump cut shot from earlier in the video.
This is the second and last pan of the video and slows down before a car, which I thought suited the video, then more establishing after the junction.
The last shot of my video is a close up of yet another car, this time the stereo as it cycles from the name of the artist, Drake, and the song, Worst Behaviour.
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